Entre objectivité et subjectivité, entre récit et drame, entre œuvre et marchandise mort ou métamorphose du cinéma ? Nous publions des essais parce que ce terme unit dans une ambiguïté féconde la critique et les cinéastes. Des monographies parce qu'on peut imaginer un temps où, le cinéma disparu, les films ne subsisteront que par les descriptions vivaces qui leur auront été consacrées et qui, déjà, en donn...
Créée par Claire Mercier
Dirigée par Martial Pisani
ESSAIS — MONOGRAPHIES — CINÉFABLES
Entre objectivité et subjectivité, entre récit et drame, entre œuvre et marchandise mort ou métamorphose du cinéma ? Nous publions des essais parce que ce terme unit dans une ambiguïté féconde la critique et les cinéastes. Des monographies parce qu'on peut imaginer un temps où, le cinéma disparu, les films ne subsisteront que par les descriptions vivaces qui leur auront été consacrées et qui, déjà, en donnent une image. Nom publions aussi des scénarios et plus largement des testes qui ont pris place dans le processus de production des cinéfables. Parce que de projet de film qu'il était, le scénario tend lors de chaque projection du film à redevenir fluide et à aller se déposer ailleurs... Chaque auteur de la collection s'aventure personnellement à interpréter ce que peut être "Le parti pris pris cinéma".
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