Cette collection entend promouvoir les recherches concernant les cinématographies et les expressions scéniques des Suds qui méritent de gagner en visibilité et d'être mieux documentées, notamment celles d'Afrique, du Moyen Orient, de l'Océan indien et des Amériques. Sans négliger les apports de la critique et de l'analyse esthétique, elle s'intéresse principalement au fonctionnement des filières audiovisuelles, cinématographiques et théâtrales - production, distribution, exploitation, diffusion ...
Cette collection entend promouvoir les recherches concernant les cinématographies et les expressions scéniques des Suds qui méritent de gagner en visibilité et d'être mieux documentées, notamment celles d'Afrique, du Moyen Orient, de l'Océan indien et des Amériques. Sans négliger les apports de la critique et de l'analyse esthétique, elle s'intéresse principalement au fonctionnement des filières audiovisuelles, cinématographiques et théâtrales - production, distribution, exploitation, diffusion sous toutes ses formes, ainsi qu'aux publics et à la réception des oeuvres. La collection souhaite favoriser les approches historiques issues du dépouillement d'archives et des enquêtes de terrain, afin d'oeuvrer à combler le déficit de données permettant de cartographier et de comprendre les enjeux et les acteurs des transformations profondes à la fois géopolitiques, politiques, sociales, technologiques, anthropologiques et culturelles qui affectent le théâtre et la scène comme le film et ses usages. La collection comprend deux séries : l'une est destinée à accueillir les travaux les plus développés, l'autre, au format plus réduit, a pour vocation d'explorer de nouveaux champs ou questionnements, y compris méthodologiques. IMAGES PLURIELLES : SCÈNES ET ÉCRANS privilégie, hors de tout dogmatisme, la lisibilité du texte, la pluralité des approches, la liberté des idées et la valeur des contenus.
Collection dirigée par :
Patricia Caillé
,
Sylvie Chalaye
,
Forest claude
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